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Department Chairperson Stephen E. Rees thanked the 1981 Fredonia Opera House for hosting these performances while the department’s stages at the Rockefeller Arts Center on campus are being renovated. He added this collaboration is a great example of how organizations should help each other in times of need.
The Fredonia Dance Ensemble will perform on Thursday, Friday, and Saturday at 8 p.m. and Sunday at 2 p.m. Ticket prices are $15 for general admission, $14 for senior citizens and $13 for SUNY Fredonia students and children. Tickets may be purchased in advance by calling 716-679-1891, by visiting the 1981 Opera House ticket office at the village hall, or via online ticketing at www.fredopera.org. Tickets will also be available prior to each performance at the ticket office.
Choreographers Terry Beck, Guest Artist and Dancer/Choreographer, has performed world-wide with his Philadelphia based Dance/Theatre Company Terry Beck Troupe. He has garnered numerous awards for dance and choreography including The Edinburgh Festival's Critics Award for Dance. His work has been supported by the Rockefeller Foundation, the National Endowment for the Arts, and the Pennsylvania Council on the Arts, among others. He won an Emmy for his short film "If the Walls Could talk". Besides his dance career, he is a noted Acupuncture practitioner and T'ai Chi instructor. |
Dance Title: Don’t Rush the Whoosh
Choreography by: Elaine Gardner
Music: Mouth Music by Talitha Mackenzie
"Don't Rush the Whoosh" is an innovative representation of silk sails on ocean waters. It contains two movements, both of which are sung in traditional Scots Gaelic. The expressive modern dance movements require great strength and skill, yet flow seamlessly with the rhythmically energetic music. Gardner created this piece in 1991, when Pick of the Crop Dance Company was in residence at Buffalo State College. Elaine was intrigued by the composer's source material. The lyrics and melodies of the two musical pieces, sung in Scots Gaelic, are traditional Scottish "mouth music", rhythmically energetic pieces sung without instrumental accompaniment. Both are connected with the process of "waulking", part of the procedure involved in making tweed wool. The melodies, however, are cast in a very contemporary (pop) musical setting.
Dance Title: twenty4seven
Choreography by: Helen Myers
Music: “No Pain for Cakes” by John Lurie
"twenty4seven" is a witty portrayal of life in corporate America. In this dance each step has a secret, and each dancer a story to tell. The movement is bursting with athletic energy, while the peculiar characters are both intriguing and funny. Set to the jazz music of John Lurie and The Lounge Lizards, this dance is sure to entertain.
Dance Title: Tin Types
Choreography by: Terry Beck
Music: Original Score
"TinTypes" is a dance/theatre work based on portrait photography from the late 1800's. In order to create these photographs, the exposure time was extraordinarily long and those being photographed had to hold still for a great deal of time. The subjects of these photos were unable to show any emotion on their faces, however, closer examination of these portraits shows that intimacy is often expressed in body language such as touch, hand holding, and leaning. "TinTypes" explores this level of intimacy and its search for expression in this dance work. Original music has been created by Dr. David Rudge and performed by members of the Improv Collective.
Dance Title: The Burghers of Calais
Choreography by: Stacy West
Music: Wolfgang Amadeus Mozart, David and Steve Gordon, Vangelis, Dead Can Dance
In 1347, six prominent citizens of Calais, France offered to sacrifice their lives to save their city from destruction by their English adversaries in the Hundred Years War. In commemoration, Auguste Rodin was commissioned in 1884 to create a sculpture depicting the six heroes departing for their imminent death. Using this sculpture as its spark of inspiration, the dance, "Burghers of Calais," is an expressive piece that utilizes the poses of each character in the sculpture. It explores the inner turmoil of the characters and their loved ones with movements bold and powerful, as well as delicate and sincere.
Dance Title: Jumpin’ Jack
Choreography by: Terri Fillips
Music: “Jumpin’ Jack” by Scotty Morris
"Jumpin' Jack" is a rollicking good time! Set to contemporary swing music performed by Big Bad Voodoo Daddy, this dance mixes swing and tap dance styles with energy and fun. Filips created this piece on her professional jazz/tap company, InSync Dance Theatre, and has re-staged the work on members of The Fredonia Dance Ensemble.
Dance Title: “5 by 5” (Five waltzes by five dancers)
Choreography by: Angelika Summerton
Music: Five Waltzes by Chopin
"5 by 5," choreographed by Angelika Summerton, is a ballet divertissement of five Chopin waltzes danced by five dancers. The gracious bond of these girls is the central theme of this arrangement. Each dance in itself tells an individual story about being in love, wedding preparations and a serious quarrel between two of the friends. All five waltzes together allow the audience to take part in a medley of relationships. Chopin's music provides for a lively variety of movements to tell the story in a rustic setting.
Dance Title: Brothers
Choreography by: Helen Myers
Music: “Dialogo” from the Sonata for Violoncello Solo by Gyørgy Ligeti, performed live on cello by Dr. Natasha Farny
"Brothers" is a searching look at the relationships between siblings. This all-male cast explores communication between brothers as revealed through gestural work, weight sharing, and dynamic partnering. The music, by contemporary composer Gyørgy Ligeti, is performed live by Dr. Natasha Farny, cellist.